Robert Rich
Artist: Robert Rich
Genre(s):
Ambient
New Age
Discography:
Electric Ladder
Year: 2006
Tracks: 7
Echo Of Small Things
Year: 2005
Tracks: 9
Open Window
Year: 2004
Tracks: 8
Calling Down The Sky
Year: 2004
Tracks: 1
Temple Of The Invisible
Year: 2003
Tracks: 1
Live at U of L School of Music-Kentucky-07-18
Year: 2003
Tracks: 2
Dub Beautiful Collective
Year: 2002
Tracks: 2
Bestiary
Year: 2001
Tracks: 8
The Gathering Live 04.08.2000
Year: 2000
Tracks: 11
Sunyata
Year: 2000
Tracks: 2
Somnium Dvd
Year: 2000
Tracks: 11
Shamballa Live, May 20, 2000
Year: 2000
Tracks: 7
Inner Landscapes Live
Year: 1999
Tracks: 8
Seven Veils
Year: 1998
Tracks: 7
Humidity CD3
Year: 1998
Tracks: 6
Humidity cd2
Year: 1998
Tracks: 6
Humidity cd1
Year: 1998
Tracks: 7
Troubled Resting Place
Year: 1996
Tracks: 6
Yearning
Year: 1995
Tracks: 6
Trances/drones (Cd 2)
Year: 1994
Tracks: 3
Trances/drones (Cd 1)
Year: 1994
Tracks: 3
Propagation
Year: 1994
Tracks: 7
Night Sky Replies
Year: 1994
Tracks: 1
Geometry
Year: 1994
Tracks: 8
Numena
Year: 1993
Tracks: 4
Gaudi
Year: 1991
Tracks: 9
Strata
Year: 1990
Tracks: 10
Rainforest
Year: 1989
Tracks: 9
Inner Landscapes
Year: 1987
Tracks: 8
Trances
Year: 1983
Tracks: 3
Drones
Year: 1983
Tracks: 3
Although his music is much consigned to the new years bins of record stores and the majority of his mold has been released on labels more than intimately associated with that categorization, Robert Rich's solo and collaborative recordings own proven passing influential on a range of a function of new school ambient and experimental artists. Although hardly into his 30s, Rich's association with in the first place space-music pioneers such as Steve Roach, Kevin Braheny, and Michael Stearns too makes him one of the few of that generation to consume interfaced creatively with the unexampled waving of experimental electronic composers.
A California native, Rich began experimenting with electronics in the late '70s before attending Stanford University, where he completed a degree in psychological science. While at Stanford, Rich's interest in the university's prestigious Center for Computer Research in Music and Acoustics expanded his interest in electronic composition, as advantageously as delivery him in tangency with a blanket range of mountains of untraditional, non-Western musical ideas. Rich's carrying out of several nightlong "slumber concerts" during this period too helped solidify an aesthetical focus on psychoacoustics, perceptible in early recordings such as Geometry and Trances/Drones.
Rich's more mature works such as Rainforest and Propagation have sought to combine that pursuit with more recognizable electro-acoustical elements (Rich plays a full grasp of instruments, from synths and effects racks to hand drums and flute glass), but the influence of digital sound manipulation has likewise touched more and more to the bow. Inspired by the more textural industrial plant of artists like SPK and Throbbing Gristle, Rich's interest in the edgier side of electronic composition has besides earned him a reputation among fans of gothic, industrial, and glowering ambient, made to the highest degree obvious by his quislingism in 1995 with Brian Williams of Lustmord. In addition to his more ambient-leaning deeds, Rich too plays in the experimental pop band Amoeba. He is too a scholar of Just Intonation, writing regularly on the subject and co-authoring the software program course of study JICalc. He released Inner Landscapes in 1999, and Humidity: Three Concerts a year later.

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